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Laura Sassi kindly asked me to discuss my creative process for Pumpkin Day for Boo and Belle.

So here we go...


I was delighted when I was asked to illustrate your book. I knew exactly that my illustrations were perfect for this cute story.


When I receive a manuscript, I like to read through the story and art notes slowly and then give it space for a few days. This is because I do not want to overwhelm myself with so many ideas for every page.

Whilst the ideas are simmering away in the background, I start sketching the characters using a pencil and then transfer it over to Procreate (Ipad).


Pumpkin Day for Boo and Belle characters:

Boo is a chipmunk and Belle is a rabbit. (My two favourite animals!)

As Boo is going to the pumpkin tea party, I knew he would be wearing his best jacket and matching boots!

Belle had to be wearing her best clothes with a matching hair band. You always have to look you best at your own pumpkin tea party!


Below are my first sketches of Boo and Belle -

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With the second sketch characters approved, I began sketching cover ideas.

Initially, I was given the task to sketch three different covers and the first double page spread.


Pumpkin Day for Boo and Belle cover process:

I start with sketching tiny thumbnails to get a feel of the story and placement of the characters. This allows me to be very loose and try different compositions quickly.

(Unfortunately, I do not have these thumbnails) But, I take the best thumbnails and transfer them to Procreate and redraw them in detail.

By drawing in detail, I can add in my own personality and sneak little things in. As well as this, it helps me greatly during the final artwork stage!


Below are two out of three different versions of the cover -

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Which one is your favourite?


Once the cover has been chosen, tweaked and approved, I can then plan the colours.

With the story based around the fall season, the colour palette had to consist of yellows, oranges and greens. Boo and Belle were based on photo references to add real life colour and characteristics. I.e. Chipmunk having the striped back and the rabbit being light tan colour.

Below is a very rough half colour swatch -

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My swatches always change when I get to the final artwork stage. For example, the door was changed to green, the mat changed to blue and Boo became a lighter shade.


Pumpkin Day for Boo and Belle cover final artwork:

Creating final artwork for any book is my favourite, as it gives me the excuse to be playful and make a mess with paints and pencils.


Below - I break up the cover sketch in sections and paint them separately or individually using gouache paint for the base and pencil for the textures.

By painting some objects separately, I can then reuse them for the interior pages and keep the same colour consistency throughout the book. I.e. The flowers/pumpkins etc.

The paintings are scanned in and then assembled digitally in Photoshop with more editing and those final touches.

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Did you notice that Boo and Belle are painted separately and appear darker? Once scanned in, I can adjust them in Photoshop and make quick changes without touching the background!


Pumpkin Day for Boo and Belle interior page:

Reading through the manuscript and art notes again, I made a few quick small thumbnails before I created the detailed sketch (in Ipad) for approval.

Once the sketch was approved; just like the front cover, I did a quick colour swatch before I had the joy of painting some pieces individually for the interior page. As I did not want the book to be too heavily yellow or orange inside, I added in a few softer colours to compliment the colour palette. For example a soft pink for Boo's pumpkin walls and a soft beige for the floors. Having a light coloured background helps the text be clear for readers!

Below is a peek of the interior page -

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After the approved interior page, I continued to create the final artwork for the beautiful book that is out today :) Thanks so much for reading and I hope you enjoy the cute book by Laura and me!


Click the image below to be taken to the official Pumpkin Page!

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Oct 1, 2023


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International Lion's Day Sketchbook painting (2023) Farah Shah



Happy October all!

As I have been offline in September, I haven't had time to prepare for this months blog post. But, I shall continue on with some sketchbook talk as that is what I use most days.

See last month's post - Why do Sketchbooks matter? for an insight into sketchbooks and my journey so far.


I normally reserve my process posts for my Patreon page, but as a little treat I thought I would share some behind-the-scenes of this lion sketchbook painting in honour of International Lion's Day 2023.


This way of working is not necessarily how I work every time as it all depends on the topic and what I want to achieve from the final image. But I do hope it gives you an insight into how one may work in a sketchbook.

Where do you start when you are faced with a blank page? That dreaded fear of what to draw thought?

I was in luck as I didn't have to think about it too much, as I knew the final image was going to be a lion.


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Stillman and Birn Gamma sketchbook*


Before I get any colour on to the page, I always sketch out the topic first with a Non-photo Blue Pencil*. I have only started using this pencil from the beginning of this year and I absolutely love it! It is a game changer for me. I find I can work very loosely with it and paint right on top without any line showing through. I have actually ditched my graphite HB pencil for this - well nearly. I still keep a graphite pencil for super quick thumbnail sketches.


I find it is very important to spend time to sketch out the topic as you want to achieve the right composition and especially in this case - the right shape of the lion. One can draw a lion in many ways, but I just wanted to capture a lion directly looking at the viewer. For me, it is always about the eyes!


Once the page has been mapped out, I like to use a combination of Tombow Pens*, Ecoline Brush Pens*, Acrylic Marker Pens* and Posca Pens* to get some colour onto the page. Phew that is a lot of material.

You may ask why so many pens? Well, it is down to the colours and texture of each pen. Each brand does not have all the colours - so you have to cross brand to get the colour you need.


As the background and lion are natural colours - I have picked some earthy tones to put down first and then I can add more colours accordingly.


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Next, I grab my Watercolour Brushes, Watercolour Tin Palette, Gouache paints and Gansai Tambi paints and put many layers of colour down. Here, I am just blocking out the colours and figuring out the light source. Always keep in mind, where your light and dark places are on the page. This is important as you want to make sure the page is conveying the correct light. In this instance, the light source is from the front - so it is not too much of a problem as I can add the dark places later and work around it.


This is the part where many artists including myself will call it the "ugly stage". It looks like a total car crash mess and has no direction of where the overall painting is going. But, as we say trust the process and just go with the flow.


Did you notice, I used a Dark Blue colour for the mane? This adds contrast and interest to the page instead of using a brown colour. Yellow = Blue. In depth colour talk will be discussed in future blog posts or and Patreon.


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It may look like there hasn't been much change on this page to the previous image, but I do start to define the areas with Tombow Pens* and add some colour back onto the page. I have used white gouache to add some highlights across the page including the beautiful mane.


As you continue to put marks down on the page, you gain more confidence and start to find the flow of the page.


You will notice that as I have added more definition to the lion - it too has started to take shape even without his eyes being on the page.


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This is a turning point as I determine where the light values are before I can add the final texture.

I have used a Blue Watersoluable Caran D'Ache Neocolor 2* for the shadow areas and the water behind the lion.


It maybe seem odd putting down a light blue for a shadow - but it will act as a under glow coat for when I add in the final shadow colour.


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Final image.

The painting is finished off with using a handful of coloured pencils including Caran D'Ache Luminance Pencils*, Derwent drawing pencils* and Derwent Procolour Pencils*.


Adding texture has to be one of my favourite parts - I would say it is the same with many other artists? You can create so much depth, texture and tonal values with just one pencil. And as you can see from the details, the lion has truly come alive and looking directly at you!


Adding the eyes at the end is very important as this defines the character or animals personality. It can also change the whole look of the page!


Lastly, as I am coming to the end of this post - I will leave you with a simple quote:

"A Pencil and a dream can take you anywhere" - Joyce Meyer.

This is why I CAN always rely on traditional media, especially a pencil!


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If you want to see more of my processes, I have a Patreon page** where you can follow my creative journey and in depth material usage. It is currently paused until Early 2024, but you can catch up with me via my Instagram stories.


I hope you enjoyed this post and thank you so much for reading this one! It means a lot to me!

Feel free to share your thoughts. I would love to hear them!


Wishing you a warm and magical October and I hope it is full of all things spooky!

Speak soon!

Farah x



*Any products mentioned have not been endorsed or sponsored.

** Patreon is paused until early 2024.

 
 

Sept 1, 2023

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You may or may not use a sketchbook currently, but I hope my sketchbook journey inspires you somewhat.


Happy September all!

As the schools get ready to go back for a new term and everyone is slowly getting back into a routine, I always feel this time of the year is like a reset and a fresh start - Perfect timing to start a new sketchbook.


I have always used a sketchbook as far as I can remember. You are taught to use one from an early age, right through to Art school. But, after I graduated in 2012 (BA Honours Degree), I fell out of love with a sketchbook and just painted on pieces of paper again. I guess I didn't understand the importance of them at that time!


I started a new sketchbook on the 1st of January 2016, when I first discovered a Moleskine watercolour album* and Reeves Fine Gouache*. Before this, I always thought that acrylic paints were the best thing since sliced bread.


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A5 Molesine Watercolour Album painting (2016) by Farah Shah


I picked a topic that was of an interest to me - Birds. I have always been fascinated by these little creatures, after seeing my cat trying to talk to one. Thanks kitty cat! Using a sketchbook meant I could learn how to use gouache paint without a worry and just enjoy the process. These small paintings are still over on my early Instagram page.


CHILDREN'S BOOK ILLUSTRATION MASTERS DEGREE

Attending Art School between 2016-2018, I continued to use a sketchbook but in a very different way. With a fast paced course and projects, you have to use one without any thought or care in the world - just as long as you had something to show at the end of each module.

Working in this fast way did have its moments - I used to rip out pages as I thought they were not good enough, or begin new sketchbooks as a fresh start (in hope the tutors didn't notice).

However, using a sketchbook in this way did push me to get my ideas down and for my final masters project, you can see that it helped me to create something I might not have otherwise.


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A4 Molesine Watercolour Album painting (2017) by Farah Shah


I have always had a rocky relationship with a sketchbook (swapping and changing them) since the MA, that is until recently I discovered a new sketchbook brand - Stillman and Birn*. With a change of sketchbooks and new materials, I am on a new exciting journey once again!


WHY DO SKETCHBOOKS MATTER?

"My sketchbook is a witness of what I am experiencing, scribbling things whenever they happen." ~ Vincent Van Gogh


As I have been finding out, sketchbook practice has helped me grow as a creative person once again! From the beginning of this year, I have been playing more and more in sketchbooks and I am certainly enjoying the process. Not many of you will know this, but I have done a few art hauls this year and spent an absolute fortune on sketchbooks - Just to get one that works for me!

I have found the one - A5 Stillman and Birn Gamma Series* (Other sketchbook brands are available)


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A5 Stillman and Birn Gamma sketchbook* painting (2023) by Farah Shah


Since I have started using this sketchbook, my work has become more playful and sometimes I find myself creating all day long. Why you ask? It allows you the freedom to experiment without the worry of what it will look like or the final outcome. Don't worry if something goes wrong, you can cover it up - as long as you are enjoying the process! :)


At A5 size, laid flat to A4, it is the perfect size to capture what I need to and quickly jot down any ideas that I might have seen during the day or and on my travels. Not only that, it is a place where I can freely work out new mediums and experiment with different ideas - which then informs my future portfolio pieces.

BUT, don't let me fool you! Just because I have found the "one" sketchbook, it might not be the right one for you! I would recommend starting with a small and budget friendly sketchbook!

(Portfolio topic and sketchbook reviews will be discussed in a future post)


Before I share some tips with you; by keeping a sketchbook, it will certainly improve your creative voice. If not your creative voice, then think of it as a creative space where you can look over your previous ideas! I know for certain I cannot live without mine today! So give it a go and have fun as sketchbooks do matter!

(This topic covers a big extensive area and will be revisited with future subdivisions!)


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Handmade sketchbook painting (2023) by Farah Shah

TIPS


Here are some tips that can help you start using a sketchbook:

  1. Start small! Start with a small low-cost sketchbook. You won't feel overwhelmed! I still use my favourite A6 size today!

  2. Pick a topic you like! Choose a theme that you are drawn to. Maybe it a favourite toy, a favourite colour or even your favourite clothing item.

  3. Use a new material - even if it is a biro-pen! I always find that switching material gets me inspired to just put a mark down.

  4. Skip the first page! From experience, I always had a fear of messing up the first page as I wanted it to be "perfect". By doing this, you have already changed the way you open your sketchbook.

  5. Work randomly! Working on random pages will inspire you more then working in chronological order. It will help you finish the sketchbook faster.

  6. Don't rip out pages! As tempting as it is - you cannot then look back on your failings and compare pages over time.

  7. Time! Put a time on it. Time yourself and see how much you can achieve within 10 minutes upto 1 hour. I know I work faster because of this!

  8. Keep different sized sketchbooks! Different sizes = different outcomes. You will thank me for this tip, as each sketchbook gives you something different.

  9. Enjoy the process! Once you have put a mark down, you are on your way to having fun! :)

These tips are my own views and just a starting point, which may help improve your work flow, your explorations, experiments and even help you gain confidence whilst finding a creative voice.


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If you want to see more, I have a Patreon page** where you can follow my creative journey and sketchbook process. This month, I am sharing a time lapse video of the autumn bear from this month's newsletter.


Thank you so much for reading and being here! It means a lot to me!

Feel free to share your sketchbook tips or findings. I would love to hear them!


Wishing you a cosy start to September and I hope it is full of Autumn goodness and golden leaves.

Speak soon!

Farah x



*Any products mentioned have not been endorsed or sponsored.

** Seven days free trial as a thank you!

 
 
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